Page 78 - Lanzarotto Malocello from Italy to the Canary Islands
P. 78

78                                             from Italy to the Canary Islands



               nothing is unknown to us anymore, even the wilderness of Patagonia is a
               place of ours, a part of us. All of Man’s fears today are no longer in connec-
               tion with places to be reached in the world, but with the end of the dream.
                  Travelling on business often coincides with the idea of a holiday, or
               rather of putting the ritual of day-to-day life on hold. We no longer fear sea
               monsters, judgemental divinities or surpassing a known limit and ending
               up beyond the “Pillars of Hercules”.
                  Today it is the task of Literature and Poetry to create new limits and
               illustrate new adventures. Often, as in a certain American “minimalism”,
               terror can take shape in a simple dwelling and anguish can burn up in the
               desolation of a kitchen, in the uninterrupted silence of an existence under a
               neon light. In this case the “Pillars of Hercules” are represented by the door
               of the house itself: beyond it lies the unknowable, or rather the Other, full
               of violence and desperation. But this is life still. Literature will take over
               after and will take care precisely of this. also of this.
                  In line with our inner images, we catch sight of Lanzarotto Malocello
               seated firmly on the deck of one of his galleys. He is a young man of av-
               erage height and his face could result from the blending of the expressions
               of Descartes and Bernini. His body, on the other hand, is agile and quick
               and also blessed with well-proportioned musculature. His eyes are fixed on
               the “Pillars of Hercules” he has spotted. His soul had remained calm until
               that moment, but close to the Strait, perhaps recalling some readings – the
               Odyssey? Cicero? Seneca? – and certain tales heard at the port of Genoa
               and at the Palace, he is seized by the deafening pounding of his heart. His
               heart hammers not only in his ribcage, but in his neck, too.
                  In the proximity of the limit, he cannot pull back; he knows well that his
               existence involves trials of courage like this, too.
                  Just because there has been no news of Ugolino and Vadino Vivaldi for
               around twenty years is no good reason to turn the ship around now.
                  Prayers on the bridge also help, especially at sunset. And then, beyond
               those Pillars, one will learn of places where perhaps there is no such thing
               as death.
   73   74   75   76   77   78   79   80   81   82   83